Ableton Serato The Bridge

Ableton and Serato bridge the gap between music production and DJing with The Bridge. The Bridge requires Serato Scratch Live 2.1.1 and Ableton Live/Suite 8.2 or above. Open both programs at the same time with Rane hardware attached to activate The Bridge online.

Remix Your Own Tracks Live

The Bridge gives you turntable-style control of your own multitrack productions. Simply drag an Ableton Live Set to a deck in Scratch Live and use your turntables or CDJ to control the transport. Scratch Live enhances your productions with deck control, mixing, nudging and DJ style looping, while you can remix, mute/solo tracks, use virtual instruments, change drum patterns, manipulate audio, tweak effects and launch loops on the fly in Ableton Live.

Welcome To The Next Level

Apart from your Scratch Live hardware, using an additional dedicated controller such as Akai Professional APC40, APC20, or Novation Launchpad opens up your game for more mixing, effects handling and for triggering clips.

Learn How To Set Up Your Gear

If you're just getting started with Ableton Live, you'll want to go through the Ableton Live lessons, located inside the program in the Help View

The World

Behind the scenes, Ableton and Serato have implemented a two-way communication link to connect the programs. The timing is tight and it doesn't matter which program you open first.

Friday, August 5, 2011

Tips & Tricks Of The Month




Corrupt files

Corrupt files in your Scratch Live / ITCH library can be the cause of many problems such as crashes, freezes and playback issues. They can affect the performance and stability of Scratch Live / ITCH even if they are not being played. You should make a point of regularly checking that your library is free from corrupt files. To do this:

Make sure that you have analyzed your entire library:

* Start Scratch Live / ITCH with your hardware disconnected.
* Click 'Analyze Files'. This can take a while, depending on the size of your library and whether your files have been previously analyzed.

Once your library has been analyzed, you can now check to see if it contains any corrupt files:

* Open your "All" crate.
* Click on the box at the top of the first column in the main library view. This will sort all your tracks by the status icon.
* Any corrupt files will have a lightning bolt icon or broken iTunes icon in this status column.

We recommend you remove all of these files from your library. To do this, highlight your corrupt files and press Command + Del (Mac) or Ctrl + Del (PC). Make a note of the files that have been deleted. You can then re-encode, re-download, or re-rip these and then, re-import these files into your library.

NOTE: It is a good idea to delete corrupted files from your hard drive as well as your Scratch Live / ITCH library so you don't accidentally re-import them. To do this in Scratch Live / ITCH, select the corrupt file and press Command + Shift + Del (Mac) or Ctrl + Shift + Del (PC).

Tuesday, August 2, 2011

DJ TechTools NS6 Review



Full review at DJ TechTools

Sunday, July 17, 2011

DJ blu - The Bridge Minimum



This gonna make ya think about what the hell am I doing with this. DJ Blu with the minimum can't wait too see the full. This is what we talking about right here when we say find out what type of dj do you want to be. This type of set takes time and hours to perfect. Well for most anyway, you have to learn ableton before the bridge.

Saturday, July 16, 2011

Kap'n KuTT - 8 Bit Turntablism Showcase - 2011



Equipment used:

2x Vestax PDX 2000
Shure M447
Rane TTM 57 SL (Original Faders)
Serato Scratch
Akai MPD 16
Echo AudioFire 4
Novation Launchpad
Ableton Live
1 x Not really stable Desk

Camera: Canon EOS 7D

This Setup was done on 4 Audio Channels. 2 Turntables, MPD, Launchpad.
(MPD and Launchpad are merged into Aux). The Supermario OST is triggerd from the Launchpad, as well as the third Song "Fami-Dance".

The Video was originally filmed on two parts, but in preproduction one particular scratch-recording stood out as more special (the one with the most improvisation), so we actually switched this part with the original one. (Chronology: Beat Juggeles / Scratching / Drumming on Pads)


Pre and Post Production by:

Peter Maler
Eldar Siradjov
Dieter Gusenbauer